Contentrium — AI Video Production Studio in South Korea

What we produce

Our work includes promotional and policy communication for public organizations, AI short films, character animation, brand content and post-production. We choose AI generation, live action, graphics and compositing according to the story and the delivery requirements.

Our published portfolio includes Promise, an AI short film for Gyeongbuk Fire Headquarters, the Gyeongbuk Police APEC animation, a reconstruction of Soonchunhyang founder Dr. Seo Seok-jo, LG WVL Brand Film, Rully Coffee’s director’s cut and the original AI short film Memory of the Blade. Each case links to the public video.

Production and engineering

We publish tools that support planning, video prompts, frame processing, editing, short-form production and Korean document workflows. These are our applications, plugins and skills; the underlying third-party AI models remain separate technologies.

• Scenario Maker — public documentation and releases
• Video Prompt Maker — public documentation and releases
• SCENE BOARD — public documentation and releases
• Frame Fixer — public documentation and releases
• Contentrium CUT — public documentation and releases
• shorts — public documentation and releases
• HWP Skill — public documentation and releases

Contentrium CUT is an early public release with host and recording-condition validation in progress. CONTENT AI is an in-development project for document understanding, content planning and tool coordination, rather than a completed integrated service.

Evidence and working process

Our company page links to an official Kmong collaboration feature and a Gyeongbuk Police commendation issued to Contentrium PD Kim Je-yun personally. These records are described according to their actual recipient and scope.

Projects start by defining the purpose, audience, timeline and distribution channels. We agree on the concept, production scope, review stages and delivery formats. Cost and schedule depend on scenes, continuity requirements, filming, audio, revisions and the number of deliverable versions.

For character, voice and archival reconstruction, we review source materials, permissions and the intended presentation before agreeing on the production scope.